![]() The bowling scene took about 15 revisions. ![]() ![]() The acting was so strong, so we wanted the actors to have space to do their thing without forcing the music to be overhanded. From there, as the characters’ friendship progresses, the music ebbs and flows to mirror and dance with them as they go through that.Ĭan you share a note or two that you got from Bennett and how you addressed those notes?Īs I just mentioned, we talked about a less-is-more approach and not being heavy-handed in the delivery we wanted. That’s how synths came into play, to provide some ambience and padding, especially when there were elements of sound design. Initially everything was composed at the piano, but as my involvement progressed with the film we went with a less-is-more approach. On this project he was very open to musically experimenting with new things and really gave me the freedom to explore.Ĭan you describe the score of the film and how you started the process? Being such a collaborative person, it’s fun to work with him. What is it about his projects that mesh with your musical sensibilities?īennett has a huge appreciation for music and how music affects, alters and changes scenes and helps them pop and come to life. The Ultimate Playlist of Noise isn’t your first project with director Bennett Lasseter. We spoke to him about how he got into composing, his work on this film and his process on other projects. Tackling this Hulu film’s score was composer Erick Schroder.
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